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#Album or cover ultravox vienna tv#

The bold weight is new with this version.Īstradyne 4.0 is a remastered version, though probably not a definitive remaster. There were only a few characters in the original, all upper-case, so I’ve had to design a lot of this myself. The cover was designed by Glenn Travis, but the lettering was based on some done by drummer Warren Cann for an earlier photo session. It is also featured during the intro of the final episode of The Assassination of Gianni Versace: American Crime Story, as Andrew Cunanan (played by Darren Criss) shoots and murders Gianni Versace (played by Édgar Ramírez).įor the track 'Eight Letters', on Take That's 2010 album Progress, the group sampled the famous song and gave songwriting credits to the band.Astradyne is based on the font used on Ultravox’s Vienna LP from 1980, the name being taken from theįirst track on the album. The song is played in the season finale of 13 Reasons Why, over Hannah Baker's final message to Clay Jensen. The song is heard on Professor Grisenko's Walkman in the Doctor Who episode 'Cold War', set in 1983. In Ashes to Ashes, Detective Inspector Alex Drake awakens on a floating brothel in 1981, while 'Vienna'. 'Vienna' was referenced in Father Ted, in the 'A Song for Europe' episode, where it is suggested that it was written and performed by a priest called Father Benny Cake, who changed his name so that nobody would know he was a priest.

#Album or cover ultravox vienna tv#

The song has featured in various TV shows.

Schweighofer was a famous Austrian piano manufacturer. The gravestone in the video and on the single cover is part of the grave of Carl Schweighofer, and is found on the Zentralfriedhof in Vienna. “What do you mean it’s ‘closed for repairs’?!” We finished up in the cemetery for the shots with the statue which had been used for the single’s cover (a gentleman who made pianos for the rich and famous of his time, I believe), did the sunset shot, and then dashed back to London to start editing." "We took an early morning flight to Vienna, ran round like loonies in and out of taxis as we filmed, and soon discovered that, due to it being the winter off-season, many of the splendid places we’d been counting upon filming were either shut for redecorating or covered with webs of scaffolding. There was just us and Nick, our trusty camera man. By the time the crew was ready to film, we were all well partying for real. "So long that we all got impatient with waiting and dipped into the many cases of wine we’d laid on for refreshment after the shoot. Can’t remember where, but I do remember that it took the crew a long time to set up the lights to prepare for filming. "The embassy party scene was in some house we’d rented in town. Warren Cann later explained: "It may come as a surprise to know that approximately half of it was shot on locations in central London, mainly at Covent Garden and also in the old Kilburn Gaumont Theatre in North London (now a Bingo hall).

It cost over £6,000, which was rather expensive at the time. The music video, directed by Russell Mulcahy, clearly was inspired by The Third Man.

This is going to sound terrible, but I quite like that song, I think it's funny." However, it had to make do with peaking at number two for several weeks, famously being kept off the top spot by novelty song 'Shaddap You Face' by Joe Dolce.īassist Chris Cross later said: "It annoyed Midge Ure at the time. The song was hugely successful, and was one of the biggest sellers of 1981. He said of the track: "We wanted to take the song and make it incredibly pompous in the middle, leaving it very sparse before and after, but finishing with a typically over-the top classical ending." Ure is also said to have been influenced by The Walker Brothers' 1978 single 'The Electrician'. I wrote a song about a holiday romance, but in this very dark, ominous surrounding." He said: "I lied to the papers about at the time: the Secessionists and Gustav Klimt, whatever. Midge Ure later said that he made up the inspiration when asked what the song was about. At the time, it was said that the song was inspired by the 1948 film The Third Man, which is based around the Austrian capital of Vienna.